Re: Aura Battler Dunbine

  1. Sho Zama, a young man from our world, is pulled without warning into Byston Well — a world of fairies, kingdoms and knights, and of giant war machines driven by aura, the force of human life.

What waits for him is not the start of a hero’s tale. It is a war that began long before he arrived.

Named a “Holy Warrior” and handed the Aura Battler Dunbine, Sho does not yet know who the enemy is, or whom he can trust. Between power and love, family and nation, everyone takes up arms for a justice of their own. Every victory leaves new dead. Every choice to protect someone may wound another he meant to save.

And when the fires of Byston Well finally cross the boundary between worlds and fall upon the Earth of 2026, satellites, the internet, cameras, armies and countless ordinary eyes witness together a war that should have existed only in another world. Aura swells. So do fear and hatred.

If a power great enough to save the world is also great enough to destroy it, what does a Holy Warrior fight for?

A long-form retelling of the 1983 TV series Aura Battler Dunbine, set in 2026. Four parts, fifty-six chapters.


Copyright and Fan Work Notice

Re: Aura Battler Dunbine is an unofficial derivative novel inspired by the world, characters, concepts, and related elements of Aura Battler Dunbine (Seisenshi Dunbine).
All rights to the original work, including its characters, Aura Battlers, names, setting, trademarks, visual designs, and other pre-existing intellectual property, remain with the original creators, production companies, and respective rights holders.
This work is not an official production and has not been licensed, authorized, supervised, endorsed, or otherwise approved by the original rights holders, production companies, or publishers.
This novel is intended as a literary reinterpretation of the original work. It re-examines its characters, psychology, conflicts, social structures, and themes of war through a parallel reconstruction in which the surface world is set in the year 2026.
Original prose, narrative structure, newly created scenes, psychological development, additional settings, and other new creative elements written by the author, 聞雷, remain the creative work of the author insofar as they do not infringe upon the rights associated with the original property.
At present, this project is intended solely as a non-commercial fan work and as an exercise in literary and creative study.
Should this work in the future be considered for commercial publication, sale, crowdfunding, adaptation, merchandising, or any other commercial use, all necessary rights and permissions must first be reviewed and obtained from the appropriate rights holders.

Original Work: Aura Battler Dunbine
Derivative Novel: Re: Aura Battler Dunbine
Author / Reconstruction: 聞雷

Chapter One: The Invited (1) The Tail of July

That summer, on a night near the end of July, on the Chuo Expressway heading west out of Tokyo, when the white SUV pulled up alongside him for the third time, Shou stopped wanting to give way.

The passenger window was all the way down and someone had a phone out, filming him, the screen flashing in the dark over the expressway. Someone in the back seat leaned halfway out and shouted at him through the wind.

“Future motocross ace, riding a sofa! Not a good look!”

“Did your dad buy it, or your mum?”

Shou did not turn his head. He knew those voices. He had heard them on weekends at the practice track down by the river; every one of them had picked up a sponsor two years before he had. The six-cylinder cruiser sat under him as steady as a table. Four hundred kilos, cruise control, the bars barely shivering. It was true that he hadn’t chosen this bike. On his eighteenth birthday it had been standing in the garage with the key on the dining table, no card beside it, and for the whole of that week nobody in the house had asked him whether he liked it.

He opened the throttle and went to pass on the outside.

The SUV accelerated with him, cut into his lane, and then its brake lights came on.

Later Shou went over it many times, and the truth was that he could have dodged it. He had six years of motocross behind him. He had saved much lighter bikes on much worse surfaces than this. But in that moment his hands did what a motocross rider’s hands do: off the brake, lean the bike, cut for the shoulder. The front wheel bit the raised steel lip of an expansion joint, four hundred kilos of front end kicked up, the rear wheel followed it off the ground, and the whole bike hung above the guardrail in a posture it had no business being in.

Inside the helmet it was very quiet.

The wind was gone, the engine was gone; somebody in the SUV yelled something and even that was cut off in the middle, as if with scissors. Shou saw his own headlight shining ahead of him, and ahead of him there was no road, no trees beyond the rail, no night sky. Only light, welling up from under the wheels.

So this is what it’s like to crash, he thought.

He tucked his chin, clamped his knees, and waited to hit.

*

He hit later than he expected, and softer.

The front wheel touched first, then the rear; the suspension bottomed out and came back and the bike lurched left. Shou put a foot down. His boot found stone—flat stone, laid slab after slab. He held the bike up. The engine was still running. The headlight showed a stretch of grey flagstones and, at the end of them, a wall, high enough that the beam did not reach the top.

Someone was shouting.

Shou pushed up his visor. There was fire on the wall. Real fire, burning in iron brackets set at even intervals around a courtyard he guessed was half the size of a football field. Under the firelight stood people, twenty or thirty of them, all facing him, holding long things.

His first thought was that he had ridden onto a film set. His second was that this was wrong, there was nowhere like this beside the Chuo Expressway, and anyway a moment ago he had been in the air.

He looked back.

A wall behind him too. Set into it was a wooden gate two storeys high, shut, its bar as thick as his thigh. There were no tyre marks on the flagstones coming from the gate. There was only a short black scuff under his own rear wheel, beginning in the middle of nothing and ending where the bike had stopped.

Several of them were closing in. What they wore clicked as they moved, not metal on metal but something duller, like a stack of thick fingernails scraping against each other. Only when they came near did Shou see that it was shell, plate on plate, brown with a cast of green, each piece curved differently from the next and threaded on leather cords, every edge rippled in the irregular way that things ripple when they have grown that way.

A hand reached for his handlebar.

Shou knocked it aside. Another man grabbed his shoulder from behind, and without thinking his body turned, elbow first, then fist. Eight years of dojo are quicker than thinking at moments like that. The man he hit sat down hard, shell armour clattering, and every long haft around him came level, points toward him.

“Enough.”

The man who spoke came out from behind the firelight. No shell armour; a long dark coat, a sword at his belt. He was half a head taller than Shou and not yet thirty, probably, and he did not walk fast, and as he passed, the hafts went upright again one by one.

Shou took his stance. He knew it was stupid. His hands came up on their own.

The man looked at his fists, then at his feet, as if confirming something, and then he came in. Shou saw the punch. That was the part that kept him awake afterwards: he saw it, straight, head-on, no feint of any kind, and his hand really did go to block it, and did not.

The fist landed on his solar plexus.

Shou went down on his knees, hands on the flagstones, and brought up his dinner over the rim of his helmet and the backs of his hands. His ears rang. Someone was speaking above his head, and through the ringing, he understood every word.

“An Upper Earther, sure enough. One who can ride the Aura Road has strength like this.”

Another voice, further off, higher, with a laugh in it.

“The third one brought his machine with him. That’s a first.”

Shou lifted his head to see who was talking. The man who had hit him was looking down at him, lips still moving. Shou stared at that mouth for two seconds and his stomach clenched again, and not from the punch this time.

What he heard was Japanese. That was not what the mouth was saying.

The mouth and the sound did not match, like a foreign film with the dubbing out of step—only there were no speakers here, the sound came straight from the man, or did not come in through the ears at all.

Someone was wheeling his bike away. He tried to stand and go after it; his knees would not. Two men in shell armour hooked him up by the arms, one on each side, and his boot-tips dragged over the flagstones, and as they passed the great gate he twisted his head with everything he had and looked once more.

The gate was still shut. There was no light under it.

*

They put him in a stone room. They did not tie him. The door was barred from outside.

There was a bed, a table, a clay jug of water on the table, a window. The window had no glass, only upright iron bars spaced narrower than his head. Shou shook every one of them. Then he shook the door, and put his shoulder into it three times, and after the third he slid down the door to the floor and only then realised he was still wearing his helmet.

He took it off and wiped the vomit from the rim with the bedsheet, carefully, as if it mattered.

Then his hand found the phone in the inside pocket of his jacket.

The screen lit. Eleven forty-one p.m., sixty-four per cent, and in the top right corner no signal bars—not even the little words EMERGENCY CALLS ONLY. Just blank. He turned airplane mode on and off and waited. He restarted it and waited. He went to the window, put the phone out between the bars, held it high, and waited.

Nothing.

The messaging app sat where it had been when he left the house. At the top was the group from the river track; someone had posted a video, the thumbnail a cruiser’s tail-light, timestamped 23:02, the loading circle turning and never finishing. Below that, his mother’s manager, reminding him about Thursday’s family interview for the magazine: “Please be punctual. The outfit has been delivered to the house.” Read. Not answered.

He opened the map.

The blue dot was still there. It sat on the Chuo Expressway a little past Hachioji, at the spot where his front wheel had kicked up. The pale blue ring around it, the one that shows the margin of error, was slowly widening, ring on ring, as if something at that spot were dissolving.

Shou watched it for a long time, until the screen went dark by itself.

He had read stories like this. Half his class had—anime, manga, the serials on their phones: the hero gets hit by a truck, or sucked into a light, and wakes up with someone kneeling on the ground calling him Great Hero. He sat on the floor with his solar plexus throbbing and the taste of stomach acid in his mouth and went through every one of those stories he could remember. In none of them did the hero get punched until he threw up on the first night. And none of them taught you how to go back.

He never thought about those stories again.

There was light outside the window, blue-white and very bright, throwing shadows off the bars. Shou took it for the moon and got up to look. It was round and hung very high and its edge was a little fuzzy. He held the bars and tilted his head back and thought, at least the moon’s the same one.

Then the moon came apart.

It split from the middle into hundreds of points of light that swam off in every direction, trailing thin tails, drawing a very slow whirlpool across the top of the sky, and then bit by bit gathered again into a circle that was not quite round.

Shou’s hands let go of the bars.

He backed away to the bed, sat, and held the phone between his two hands, and did not look out of the window again. He did not sleep that night and he did not cry. He kept counting. The dinner he had thrown up before the punch, he had eaten at seven; it was now past twelve; if those guys had called the police, the police would search outside the guardrail first, and find no bike and no body, and how long would it be before somebody phoned the house in Kichijoji, and who would pick up.

He could not work out who would pick up.

→ (2) A Dawn Without Direction

Chapter One: The Invited (2) A Dawn Without Direction

Day came slowly, but no side of the sky came first.

Shou stood at the window a long while, trying to find where the sun would rise. There was no direction. The whole sky went together from blue-black to grey to a very faint, watery white, evenly bright, so that every shadow on the ground was short and blurred, as on an overcast day—except that there were no clouds.

The bar on the door rattled. Four men in shell armour came in, one carrying two thick pieces of wood hinged together with two holes cut through the middle. This time Shou did not fight. His solar plexus still hurt, and it had taken him the whole night to work out one thing: until he understood what was outside that wall, beating these four would get him nothing.

As the wood closed on his wrists he asked only one thing.

“Where’s my bike?”

Nobody answered him.

A cart stood in the courtyard, wooden-wheeled, drawn by two animals that were like horses except that each had a short straight horn in the centre of its forehead. Two men were already in the cart bed, their wrists in wooden stocks like his. The one on the outside was white, blond, early twenties, in a flight jacket with the unit patch cut off the sleeve, leaving a darker square. He watched Shou get shoved up, looked at Shou’s face, then at Shou’s wrists, and gave one short whistle.

“Japanese? Chinese?”

“Japan.”

“Todd. Boston.” He pointed with his chin at himself, then beside him. “This is Tokamak. He doesn’t talk much. We got here yesterday afternoon—half a day ahead of you. You were the light last night, right? The whole castle saw it. They were as happy as if they’d hit the lottery.”

Shou stared at his mouth. The mouth was making English, the English he had listened to for six years at school, every syllable of it English, and what arrived in his head was Japanese, including the word “lottery.”

Todd noticed where he was looking and grinned.

“Gross, right? I spent all yesterday staring at people’s mouths too. Quit it, it’ll make you carsick. You talk yours, I’ll talk mine, this hellhole does the translating.”

“Where is this?”

“They call it Byston Well. If you’re asking me where that is on a map—” Todd shrugged, and the stocks rose with his shoulders. “I’ve had navigation training. I spent all last night looking for the North Star.”

He did not finish the sentence.

Byston Well. Shou would go on hearing that name for the better part of a year. The people here say it lies between the sea and the land: that the light overhead, the light that comes apart and gathers again, is the floor of the sea; that when people die they go upward, and their souls pass through this place and are born again on the earth above. The people here also say that now and then someone from above falls down along a road called the Aura Road, once in a few decades, and nobody knows why. Shou knew none of this then. He knew only that last night his headlight had shone on a wall, and that now there was wood around his wrists.

The cart moved. Every jolt of the wheels over the gaps between the flagstones came up through the stocks into Shou’s wrists. The man on the inside had not spoken. He was thirty-five or thirty-six, thin, high cheekbones, several days unshaven, in an old down jacket with a broken zip that was far too heavy for this weather. His right hand kept pressing, through the jacket, on his left breast pocket: press, let go, a while later press again. Shou learned later that there was a phone in there, with a cracked screen and a battery long dead.

As the cart passed under the gatehouse a deep, trembling drone came from overhead. Before Shou had reacted, Tokamak had folded himself flat under the sideboard of the cart, shoulder against the planks, face up, eyes hunting for something in the sky.

The sound passed. It was a thing made of shell, dish-shaped, with tubes like feelers hanging from its underside and two soldiers standing on top, and it drifted unsteadily across above the castle wall.

Tokamak sat up slowly and looked at no one.

“Kharkiv,” he said. It was the first thing he had said to Shou, and the mouth was making a language Shou did not recognise at all. “I am from Kharkiv.”

Shou had heard the name. On the news, many times, always with numbers after it. He did not know what to say to it, so he nodded.

Riding beside the cart was the man who had hit him the night before. He looked younger by daylight, with a clean face, and he sat his horse with his back straight as a ruler. He gave his own name: Bern Bunnings, captain of the knights of Lord Drake Luft, lord of the land of A. The syllables of those titles slid through Shou’s head and left only sounds behind, no meaning. Shou noticed that wherever there was a name, this place did not translate it for him.

Bern spoke courteously, as if there were no wood around the three men’s wrists. He said this world was upheld by the power of aura, the power that is in every living thing; he said that people from above are born with an aura power stronger than anyone’s in this land, and that was why Lord Drake had spared no expense to invite the three of them here; he said that a person with such power was called, here, a Holy Warrior, and if the three of them would serve the lord, the fiefs they would one day receive would be larger than this California of which the honourable Todd had spoken.

“Invite,” Todd said. “You call this inviting.”

“The guests before you were not put in stocks.” Bern’s tone did not change. “One of them wounded two guards on the first night and went over the wall. On the third day we found what was left of him in the forest. The stocks are for your safety.”

“And going back?” Shou said.

Bern turned his head to look at him.

“I don’t want a fief. I want to go back. Last night—that light, that road—how do I walk back up it?”

It was the rider on the other side who answered him: a woman, hair bound tight at the back of her head, her shell armour worn more neatly than any of the men’s. She had not once looked straight at the three in the cart.

“Upper Earth is not a place you go back to because you want to,” she said. “Give up the idea. It will be better for you.”

“Garalia,” Bern said.

The woman closed her mouth and spurred her horse forward.

Shou wanted to ask more. Tokamak’s elbow touched him, lightly. The man was looking at the fields beside the road, and his lips barely moved.

“Silky,” he said. “The one who opens the road is called Silky. Not a person. Something else. They keep her in the water. I heard the guards talking. If she is willing to help, you can go back. She is in their hands.”

He paused.

“So do not make noise yet. A loud man never gets an answer.”

*

The workshop was outside the castle, forty minutes’ ride by Shou’s reckoning. He smelled it before he saw it.

A heavy, fishy reek, mixed with vinegar and burnt hair, thicker the closer they came. The cart rounded an embankment and Shou saw a yard fenced with wooden stakes, as big as the whole campus of the high school he went to. On a frame in the middle of it hung a thing, and it took him several seconds to understand that it was the upper half of an animal: no head, the chest opened, each rib as thick as a telegraph pole, and dozens of people on ladders and ropes working over it, peeling whole plates of shell away from the meat with long-hafted knives. Each plate was the size of a small car, brown with a cast of green, rippled at the edges.

The same stuff the guards were wearing.

Under a long shed on the other side, rows of people sat at low tables, most of them women and half-grown children. They were winding coils. Copper wire, by hand, turn after turn around a wooden core; the finished ones went into baskets and somebody carried the baskets away. Further in were charcoal braziers, and people were point-soldering with red-hot iron rods onto waxed boards, and about half of what was nailed to the boards Shou recognised: resistors, coils, two leaves of metal sealed inside a hand-blown glass bulb. He had built a neater radio than this in middle-school science.

Todd was looking harder than he was.

“No chips,” Todd said under his breath. “Not one. This is my granddad’s era. How do they use this stuff to make—”

He did not finish, because they had walked into the biggest shed, and there it was.

It crouched there with its back to the light, more than two storeys high. Round, thick, short-legged, two arms so long they dragged on the ground, ending in three curved claws apiece. The whole outer shell was pieced together from that brown-green plate, and where the pieces joined you could see what lay underneath: dark red, bundled stuff, bound in copper hoops, soaking in some kind of oil, faintly glistening.

It was moving. Slowly: one bundle tightening, another slackening, like a sleeping animal breathing.

“Drumlo,” someone beside them said. It was the higher voice from the night before. The speaker wore glasses, his hair was a mess, the sleeves of his white shirt were rolled to the elbow, and his fingers were covered in burn scars. His mouth was making English. “The muscle is real muscle. It comes off things like the one outside, treated. Feed it right and it doesn’t rot. The circuits only tell it which bundle to pull. What really makes it pull is the person sitting inside.”

“You’re from Earth,” Todd said.

“Zet Light. San Jose, control systems.” He pushed his glasses up. “Twenty years here. The man who designs these is called Shot. You’ll meet him later. He prefers people to say he did all of it by himself.”

Shou watched the red muscle tighten and slacken.

“What does the person inside do?”

“Thinks,” Zet said. “Thinks hard. The rest is handled by the thing in you they call aura. Don’t ask me the principle. Twenty years and all I know is this: same machine, a local knight gets in and it’s like wading in mud; someone from above gets in and it jumps. That’s why you’re here.”

Aura. Shou would hear that word every day from now on. In Byston Well it means the push that is in every living thing, the force that moves things: people have it, beasts have it, even trees have a little. It cannot be seen, but a machine can see it: however much of that force is in the heart of the one sitting inside, that is how hard the machine moves. People from above have several times more of it than anyone born here, and nobody knows why. Drake Luft did not need to know why. He needed only to know that it was true.

Todd was quiet for a while. Then he turned, walked over to Bern, and held his stocked wrists up in front of the knight’s face.

“Take this off,” he said. “Take it off and I’ll get in and show you. With it on I do nothing, and you can wait for the next light.”

Bern looked at him for a few seconds.

“Very well.”

Garalia brought the key. As she unlocked them her face wore the expression of someone unsaddling a horse. Todd’s stocks came off first, then Tokamak’s; that man held his own hands out and said nothing. When it came to Shou, Garalia stopped and looked at him.

Shou knew he ought to say something. That he had not agreed. That he only wanted to go home. That Todd could not decide for him.

His wrists were rubbed raw and streaked with blood. He thought of the bar on last night’s gate, thick as a thigh. He thought of “what was left of him” in the forest. He thought of something called Silky, kept in the water.

He held out his hands.

The stocks made very little sound when they hit the ground. On the way out of the shed Shou looked back once. The thing called Drumlo still crouched where it had been, one bundle tightening, another slackening. Under the long shed, not one of the children winding coils looked up at them.

→ (3) The Hero’s Way Home

Chapter One: The Invited (3) The Hero’s Way Home

That evening the castle held a banquet for the three of them.

The place was a garden inside the walls: long tables on the grass, lamps hung in the trees—and inside the lamps not fire but some kind of moss that glowed, greenish. A hundred or two hundred guests, the men in long edged coats, the women’s hems dragging across the grass, servants with trays threading between them. Everyone who came up to Shou bowed, called him Holy Warrior, and then looked at his shoulders and his hands the way people look at a horse.

They had washed his riding jacket and given it back. The phone was still in the inside pocket. When nobody was looking he checked: fifty-eight per cent, no signal.

Shou saw Drake Luft for the first time at the head of the long table. A man of about fifty, bald, broad in the shoulders, who sat without touching the back of his chair. Beside him sat a woman much younger than he was, very beautiful; when Shou was brought over to bow, her eyes passed above the top of his head and settled on something behind him, with a smile at the corner of her mouth. Further down sat a girl about Shou’s age, head lowered, who did not touch the plate in front of her all evening.

When Drake stood to speak the whole garden went quiet.

He did not speak long. He said that in this land, lord had fought lord for hundreds of years, and every generation had fathers who died under a neighbour’s sword. He said that was no longer so. He said that with the might of the Aura Battlers all of that could be ended, and everyone given a peaceful future; he said that the arrival of three Holy Warriors from the far-off Upper Earth was the proof that this future had already begun.

The applause was loud. Todd clapped a few times too, and while he clapped he leaned towards Shou’s ear and said that if this old guy were in Boston, he’d get elected mayor.

Tokamak did not clap. He had not sat in the seat laid for him. He had taken his plate and gone to stand behind the trunk of a big tree, his back to it, at a spot from which he could see the whole garden, with thick branches over his head.

“I have heard this speech,” he said to Shou when Shou went over, his eyes never leaving the sky. “Word for word. I have heard it.”

Before Shou could ask where, the ground shook once.

Then the screaming, from over by the wall.

The thing came over the low wall on the east side of the garden. Shou took it at first for an overturned truck. Then it stood up: six legs, the plates on its back the same colour as the carcass hanging in the workshop, only this one was alive, and still had its head, and the head had no eyes, only a mouth split vertically and ringed and ringed with teeth. It stepped on a long table, and the table and the three people beside it were gone.

The crowd poured west like water. Shou was knocked down, got up, was knocked down again; somebody’s foot went over his hand. He saw Todd up on a table looking for a way out. He saw the girl with the lowered head being dragged off at a run by two maids. He saw Drake still standing in front of the head of the table, not one step back, head turned, saying something to the person beside him.

The deep drone came again, this time close, and loud.

Drumlo rose from behind the castle wall; the swollen shell on its back gave out a low hum, four half-transparent wings veined like leaves spread and blurred into mist. It dropped into the garden like a thrown stone, landed on the thing’s back, and drove its three claws into the vertical mouth up to the wrist.

The thing screamed. Shou had never in his life heard a sound like it: hundreds of people shouting at once from deep under water.

Then it stopped moving.

The garden was silent for about three breaths. Overturned tables everywhere on the grass, trampled food, abandoned shoes. Drumlo pulled its claws out, black stuff running off the tips, the shell of the cockpit opened, and Bern stood up out of it and bowed toward the head of the table.

Someone began to applaud.

The clapping had sounded two or three times when Tokamak came out from behind the tree, caught Shou by the collar, and slammed him flat onto the grass with his own body on top.

“Down!”

Shou’s face was in the grass; he could see nothing. He heard a sound like tearing cloth pass very low over his head, and then explosions, one, two, and clods and splinters hitting his back. He struggled to lift his head a little: above the garden was a machine he had not seen before, thinner than Drumlo and faster, with dark wings, pulling up over the gap in the wall; and higher and further off a ship hung in the sky, the flash of gunfire under its hull.

Drumlo went after it, got as far as the outside of the wall, and turned back. The thin machine and the ship went north, were two dots, and then were not even dots.

Tokamak climbed off him, brushed the dirt from his knees, and held out a hand to pull Shou up. The hand was steady. It was not shaking at all.

“How did you know?” Shou said. His voice came out hoarse.

Tokamak thought about it.

“When everyone is looking one way,” he said, “look the other.”

He turned and looked across the garden. Drake still stood where he had stood, listening to Bern’s report and nodding as he listened. Shou did not know what Tokamak was looking at. There was no anger on the lord’s face and no fright. If Shou had to say, the expression on that face was closer to a man who has just found that what he said in the meeting has been proved on the spot.

The servants had already begun setting the tables upright. One would not come upright, because there were people under it.

*

That night Shou was kicked in the dark, square on the bridge of the nose.

He came off the bed with both hands flailing and hit nothing. In the blue-white light from the window he saw a person standing beside his pillow—a person about the length of his forearm, with arms and legs, in a short tunic, with two pairs of transparent wings on its back, and the wings were trembling.

He thought he had finally gone mad.

He had not. It was a Mi Ferario, the little sprites that are everywhere in the forests of Byston Well, no bigger than a palm, longer-lived than people and with better memories, and tempers no better than their memories. This one was Cham Huau. Shou would not know her name until much later, and would not know until much later still that the one who bit him tonight would be, of everyone he came to know in this world, the last who would still remember him.

The little person kicked him again, on the chin this time. It did not hurt, but it was definite.

“Upper Earther!” Her voice was thin and fast. “No more helping Drake Luft! You hear me!”

Shou reached for her. She shot upward out of his reach, came round to the back of his hand, bent, and bit. That one really hurt: the teeth were tiny and sharp and beads of blood came up at once. Shou cried out, and footsteps came at once from outside the door.

The little person flew to the bars of the window. For her, that spacing was an open door.

“When you almost got blown up today—who was firing, do you know?” Shou dropped his voice; he did not himself understand why. “Was it your people?”

She stopped short, as if she had not expected him to ask a question.

“If you ever hurt Nie,” she said, “I’ll kill you.”

The bar on the door rattled. She flipped out through the bars, flashed once under that light that was starting to come apart again, and was gone.

The guards came in with a moss-lamp and asked what the Holy Warrior required. Shou put his bleeding hand behind his back and said he had had a bad dream.

When the door was shut again he sat on the edge of the bed and sucked the two rows of little holes in the back of his hand.

He did not know who Nie was. He knew two things: that this evening somebody had opened fire on a garden full of servants and women, and that whoever had sent the little thing, and whoever had fired, were very likely on the same side.

*

For the next five days nobody put them in stocks again, and nobody let them walk alone through any door.

Training was on a patch of open ground north of the castle. For the first two days they did not touch a machine. They sat in a shell cockpit hung from a wooden frame, each hand on a short grip whose head was capped with a lukewarm pad that seemed to grow out of the cockpit wall, while the man called Shot called instructions from below. Shot Weapon was a good deal more presentable than Zet: blond hair neatly combed, the long coat of a local noble, a habit of standing with his hands behind his back as if lecturing at a university. He never answered questions; he corrected them. When Shou asked why the thing moved, he said that what Shou should be asking was why it sometimes did not.

It sometimes did not. The first morning Shou sat in it, the two pads gave nothing under his hands, like two pieces of meat that had gone cold. Todd took half an hour to make the practice arm outside the cockpit lift, and gave it the finger. Tokamak took a day. Shou took a day and a half.

He stumbled on the trick himself; nobody taught him. On the second afternoon, tired and angry, the bruise on his solar plexus still aching, his head full of that shut gate, he swore at the arm inside himself—move, damn you—and it was not a thought, it was more like the thing that goes through his whole body in the instant behind the starting gate when the gate drops.

The arm swung out and broke a crossbeam of the frame.

The pads went hot under his palms. He snatched his hands away. His palms were red, as if he had held a cup of tea that was too hot. Shot, below, wrote something on a board without raising his head.

“Japanese,” he said, “your output is the highest of the three. It is also the least stable. The two usually come together.”

Every evening Shou went to see his bike. He had earned that the first time he made the arm move: Bern asked what reward he wanted and he said he wanted to see the bike. It stood in a storeroom next to the stables. Someone had wiped it down, clumsily, and every chrome surface was ringed with cloth-marks. The fuel gauge showed a little over half. Shou asked the guard who led him there whether there was petrol here—idly, nothing more—and the guard nodded and said yes, the workshop used it to wash parts, it seeped up out of the ground by itself, it stank, and apart from washing things and lighting fires it was good for nothing.

Shou crouched beside the bike for a long time without speaking.

There was fuel. There was a bike. There was a gate. He did not know where the road outside the gate led, or where to look for the light that had brought him, but for the first time in five days the things in his hands fitted together into a sentence.

On the fourth evening he met Tokamak at the storeroom door. The man was sitting on the threshold, looking at his phone with the cracked screen by daylight. It was black. There was nothing on it.

“You kept it,” Shou said.

“There are photographs in it.” Tokamak turned the phone over. On the back was a faded sticker, a cartoon cat. “My daughter put it there. She and her mother went to Poland three years ago. I stayed for the house. There was still a little work at the factory. Then there was no factory. Then there was no house. That day I was going to the station. I had the ticket. I walked into the underpass and—”

He made a gesture with his hand, something opening upward.

“I thought it was a bomb. I thought, good, it is my turn at last. And I woke up here.”

He put the phone back into his left breast pocket and pressed it once.

“Shou. How old are you?”

“Eighteen.”

“You have been in fights, I can see that. You have not seen a dead man.” The tone was not contempt; he was confirming something. “That bald lord is not entertaining guests. He is buying. Before he buys he lets us see what happens to the ones who do not buy, then he lets us see the monster, then he lets us see that his machine can kill the monster. The order was arranged. Only the bombing afterwards was not his arrangement, and you saw his face. He did not mind at all.”

“Then why did you get in?”

Tokamak looked at him as if the question were a strange one.

“Because I am going back. My daughter is eleven. I have not seen her for three years. Only the thing kept in the water can open the road, and she is in his hands. I do not have to like him. At home I did not like the big men on either side either. I only have to live until the day he is willing to let me go.”

He stood and brushed off his trousers.

“You are the same. Don’t be a hero. Heroes stop being able to go home early.”

→ (4) Fish at the Zenith

Chapter One: The Invited (4) Fish at the Zenith

On the sixth day they were shown Dunbine.

Three of them, standing side by side on the open ground: taller than Drumlo and far thinner, with shoulders, with a waist, with long legs in something near human proportion. Three different colours—one pale violet, one dark blue, one dark green—and the shells not pieced but each plate curving with the muscle beneath it, the seams as fine as the line where a beetle’s wing-cases close. A horn curving backward on each side of the head. On the back, a swollen shell-pack with the wings folded under it.

Shou stood at its feet looking up until the back of his neck was against his collar.

He had seen a lot of robots. All his life—in anime, in the windows of model shops. Those things had rivets and vents and the straight lines of things pressed in a factory. There was not one straight line on this. It did not look made. It looked as if something had lived, and died, and been hollowed out, and had something else packed into it.

“The new type,” Shot said. It was rare for him to speak first. “A local can still fly Drumlo. Not this. It needs too much aura; a local knight sits in it and cannot even stand it up. It was built to your measure.”

His hands were behind his back.

“In other words, gentlemen, without you these three are three very expensive specimens. Lord Drake has waited two years for them to move.”

The pale violet one was given to Shou. The cockpit was in the chest. From outside, the shell cover was opaque; Shou climbed in, the cover closed over his head, the cockpit went dark for an instant, and then the whole front shell slowly cleared, like ice thawing, and the ground, the people, the castle wall came up through it bit by bit, tinted the faintest blue-green.

The seat was warm. He took the two short grips and the pads on their heads lay against his palms.

He smelled something. Not petrol, not engine oil, not hot metal. Something faint, like ferns after rain, and like blood.

Todd went up first. His machine barely swayed as it left the ground, the wings spread into mist, it went straight up, flew one clean circle above the wall, and came down with its feet together and knees slightly bent. Some of the knights at the edge of the ground cheered. Trained men are different.

Tokamak went second. He went up slowly, carefully, and flew low. On landing the left foot touched first, the machine tilted, he corrected, over-corrected, and the whole Dunbine went down on its side and ploughed a furrow with its shoulder. The ground crew rushed in. The cover opened and Tokamak climbed out on his own, a cut on his forehead, pressing his sleeve to it, and waved toward Shou to say he was all right.

Shou’s turn.

He shut his eyes and looked for the thing that had broken the crossbeam. The starting gate. The lunge.

His stomach knew first. His whole insides dropped, the way they had the instant the front wheel kicked up that night, and he very nearly let go. When he opened his eyes the castle wall was under his feet.

He saw this place from above for the first time.

The castle was smaller than he had thought, a ring of grey wall cinching a huddle of roofs; the tower he lived in, the garden, the gap in the east wall not yet mended. Outside the walls were fields, squared off, with people in them who looked up at him, very small. Smoke rose from the workshop. Beyond was forest, black-green, laid out all the way to the foot of a range of mountains.

He looked for a road. While he was learning to keep the thing from drifting left he searched with everything he had: a road he knew, a guardrail, a telephone pole, anything of Earth.

Nothing.

He looked up.

The sky had no top. That even, watery white grew brighter the higher it went, until at its brightest there was a slow pattern moving in it, light and dark, light and dark, huge and far off, like the surface of a swimming pool seen by someone sunk at the bottom looking up.

And Shou understood what the moon had been that night. Not what it was called; where it was. In water. The whole sky over his head was water and he was under it, this castle, these fields, these people, all of them under the water.

His breathing broke. Dunbine dropped a length, he cried out, his hands crushed the pads, and the machine shot upward again. On the ground they were waving flags. He followed the flags, crookedly, and got himself down.

He landed hard. The muscle-bundles in the knees creaked. But he stood.

When the cover opened his hands were shaking, his palms crimson, his ten fingers refusing to straighten for a moment. He leaned over the lip of the cockpit and brought up a little acid. Below, people were clapping. He did not hear them.

He was looking at a low tower inside the castle. He had seen it from up there: a round tower, no windows, a flat top with an opening like a cistern in it, the opening covered by an iron grate, and a soldier at each of the four corners.

In the whole castle, that was the one place you could only see from the sky.

*

Shot said that while their hands were warm they would make a long flight that afternoon.

Not combat, he stressed: a familiarisation flight. Follow the northern border of the territory in a loop, turn back in front of a mountain called Inuchan, let the three of them learn what a long flight costs. Lady Garalia would lead, with four Doro as escort. The Dunbines’ armament was not fitted yet—only the pair of claws in the wrists and a sword, which they would not need anyway.

Tokamak’s machine had a dent in the shoulder from the fall; the ground crew said it did not matter. He had a cloth soaked in something stuck to his forehead, and before he climbed into the cockpit he pressed his left breast pocket once.

They flew for about an hour.

Shou was beginning to get the feel of it: do not try to “control” it. This was not a bike; there was no gap between throttle and brake. You thought of where you wanted to be and it was there; you hesitated and it hesitated with you. The hard part was not making it move. It was having only one thing in your heart. He could not. In his heart was the tower with no windows, the half-tank of fuel, the message from his mother’s manager that he had read and not answered, and Dunbine wobbled along with him all the way, and Garalia looked back twice from in front, and the second time could not even be bothered to shout.

Todd flew best, so well he got bored and did a roll on the outside of the formation. Tokamak flew last, low and steady, hugging the treetops. Shou thought afterwards that it was the way a man flies who knows that things fall out of the sky.

The mountain was ahead. Grey, steep, bare of trees above the waist.

Garalia raised her hand: turn back.

Shou never did work out where the first shot came from. He only saw the Doro on the far left tilt suddenly, two of its feelers snapped off, and the two soldiers on top of it drop like beans. Then a swarm of things came over the ridge, seven or eight of them, small, triangular, each with a man hanging under it, soundless, gliding down on the wind off the slope as fast as if someone had thrown them.

“Enemy!” Garalia’s voice slammed straight into his head. “Holy Warriors, fall back! Fall back! Unarmed machines, back!”

Shou did not know how to fall back. He still had to think to turn. He saw Todd’s machine side-roll and peel away, clean and quick; he saw the triangular things sweep over his head with the men under them holding long tubes, the mouths of the tubes flashing; he heard something hit Dunbine’s chest shell, clang, clang, clang, dull, like stones thrown at an upturned pot.

He curled up, and Dunbine curled with him.

“Down!” Tokamak’s voice, close, clear; at some point the man had come up behind and beside him and put his own dented machine between Shou and the mountain. “Shou! Down, into the trees! They can’t come in among the trees—”

The light came from Shou’s upper right. He did not see who, or what. He saw only a very thin, very straight bright line that touched the back of Tokamak’s Dunbine, dead in the centre of the swollen shell-pack.

For an instant nothing happened.

Tokamak’s machine still held the posture of its spread, shielding arms. Through the blue-green tint of his own shell Shou saw a blurred figure behind the cover opposite, which seemed to turn its head and look his way.

Then the shell-pack lit from inside.

The explosion had no sound, or Shou did not remember one. He remembered the light, remembered Dunbine shoved bodily backward by an invisible hand, sky and ground turning over three or four times, treetops whipping his legs. When he had the machine steady, where Tokamak had been there was only a ball of smoke coming apart, and a few dark green fragments trailing fire, falling slowly, into the forest.

Not one of them was big enough to hold a man.

Shou’s mouth was open and no sound came out. He did not know what the feeling was, because he had never had it. Later he knew: it is the feeling of seeing a person die for the first time, which is nothing, only the mouth hanging open.

His palms began to burn. Not the hot-tea burn of before. The pads jumped under his hands, once, once, in time with his heartbeat and faster and faster, the smell of ferns and blood in the cockpit was suddenly thick enough to choke on, and across the clear shell in front of him, from the edges inward, spread a faint wash of red.

Dunbine drew its sword by itself.

He had not thought of drawing it. He had not thought anything. He was looking at the smoke.

“—Holy Warrior! Can you hear me! Drake’s Holy Warrior!”

A woman’s voice. Not Garalia.

A machine was across his path: the thin one, the fast one with dark wings, the one that had dropped bombs over the garden that evening. There was a launcher on each shoulder, the left one empty, the right one with two rounds left, warheads pointed at him.

“Put the sword down! Your machine’s unarmed, I can see that! I don’t want to kill you!”

“You just killed him!”

The voice came out of Shou’s throat, and he did not recognise it. Dunbine lunged forward faster than his own neck could follow, the dark machine slid aside, his sword cut nothing, and the whole machine went under the other’s wing and nearly into the mountainside.

“He was in front of you—my man couldn’t see!” The woman’s voice shook, the shaking of a voice held down hard to keep it from breaking. “I’m not here to kill anyone, I’m here for you! Listen to me, you’re from Upper Earth and so am I! My name is Marvel Frozen, I’m from Dallas, and a year ago the one standing where you are now was me!”

Shou brought the machine round. He was panting, badly, and the red on the shell in front of him deepened and paled, deepened and paled.

“Drake Luft is a man possessed by the lust for power. He didn’t call you here for any peace. He wants bodies that can fly those machines, he wants to use them to swallow the land of A and then everything outside it! Today you fly one run for him, tomorrow he tells you to burn a village, and you’ll go, because by then you’ll already have burned something else. I know, because I—”

“He had a daughter!” Shou roared back. “Eleven years old! He hadn’t seen her for three years! He just wanted to go home!”

There was no sound from the other side.

For a long time—long enough that Shou could hear his own blood in his ears.

Marvel Frozen. A Texan, fallen down the same road a year before, who had flown for Drake for a year, burned things for him, and left. She flew for the other side now. Shou would learn all of this much later, piece by piece; right now he knew only that the voice across from him was shaking, and that so was his own.

“…Leave that man,” Marvel said at last, her voice gone low. “While your hands are still clean. Next time we meet in the sky, I’ll kill you. I mean it.”

“You think you can!”

She did not answer. The dark machine backed off, beat its wings once, and climbed away over the ridge. The triangular gliders were gone. Only Garalia and Todd were left in the sky, and two Doro. There had been four when they set out.

Shou did not go after her.

He could not. When the red drained out of the shell in front of him, something drained out of his body with it; his arms were too heavy to lift, there was heat inside his nose, something ran down onto his lip, he licked it, and it was salt.

*

Nobody spoke on the way back.

After they landed the ground crew gathered round to check the machine and count the hits on the chest shell: seven, none through. Someone asked him the number of enemy machines, their bearing, what weapons they used. Shou answered what he remembered. Halfway through he stopped and asked a question of his own.

“The forest. Will anyone go and look?”

The man questioning him raised his head. He had not understood.

“Tokamak. Will anyone go and look for him?”

“Holy Warrior,” the man said, very politely, “that was a direct hit on the aura amplifier. Nothing will be left. As for the machine, Master Shot has said there is still material; another can be built in two months.”

Shou nodded.

Across the ground Garalia was reporting to Bern, not loudly, but Shou heard it: two Doro lost, one Dunbine, no pilots survived. When she said “pilots” she did not count the one from Upper Earth separately from the four local soldiers on the Doro. Shou did not know why, but of everything that day, this was the only thing that did not make him feel worse.

Todd was leaning against the foot of his own machine, his face white. He saw Shou coming and tried to think of something smart to say; his mouth opened and shut and nothing came out.

“Unarmed,” he said at last, after a long time, his voice dry. “They sent us up unarmed. Back in training in Texas somebody would’ve gone to court-martial for that.”

He scrubbed his face hard with his palm.

“I’m not letting that happen to me again. I don’t care who they want me to fight. Next time I go up, I’m carrying something.”

Shou did not answer. He walked past Todd, past the two Dunbines still standing, past the third place, now empty. The furrow Tokamak’s machine had ploughed that morning was still in the ground. Nobody had filled it in.

That night the door of his room was not barred. He supposed that counted as a reward.

Shou sat on the edge of the bed and took out the phone. Thirty-one per cent. He opened the map; the blue dot was still on the Chuo Expressway, and the pale ring around it had widened until it covered half of Hachioji. He opened the photos and scrolled back: past the practice track, past the bike, past a screenshot he did not remember taking of his mother talking on television.

He had no photograph of Tokamak. Six days, and even the man’s surname he had heard from Bern’s mouth; he had not even asked the name of the eleven-year-old girl. He would remember that for a long time, longer than he expected to.

He thought about what the woman from Dallas had said. About what the little thing that bit him had said. They might be telling the truth. Drake might be that kind of man; Tokamak himself had said the bald one was not entertaining guests.

But this afternoon it was their side that had opened fire.

And the tower with no windows was inside Drake’s walls.

Shou held down the power button and looked at the slider that appeared on the screen, and his thumb stayed there a long time. He thought of a dead phone with a cartoon cat sticker on the back, somewhere in the forest now, or nowhere.

He pushed the slider across.

When the screen went dark, only the blue-white light from the window was left in the room. It was coming apart again, hundreds of points of light swimming slowly in water very, very high up, and this time he did not look away; he kept his head tilted back and watched until they gathered again.

The two little rows of tooth-marks on the back of his hand had already scabbed over.

→ Chapter Two: Behind the Firelight (1) In the Cage, On the Shoulder