My Panzer Dragoon Remake Review

The original Panzer Dragoon was created by a small group of developers called Team Andromeda and was a grand showcase as to what the Sega Saturn was capable of in 1995. It had a unique art style for its time and was heavily influenced by the late artist Moebius. Fast forward to 2020 and we have a remake made by another small team, called MegaPixel Entertainment. With their goal being, to give the game a fresh coat of paint and update the game with the aesthetic benefits of todays technology. So, you may be asking yourself: does this new team breathe new life into a beloved Saturn Classic? Well, Yes and no.

The original Saturn game was hand crafted from the ground up, heavily inspired by the surreal artwork of Jean Giraud aka Moebius. It had a vision contained in its art direction that made it stand out from other Saturn games. From: the unique creature designs to the mysterious world full of ruins and ancient technology. The game’s textures were hand crafted, seamlessly and organically blending into the world around them.

Fast forward to today and we have the new Panzer Dragoon Remake, which intends to update and polish the creative design of the original. In some ways it succeeds and in other regards, fails to capture the unique art direction of the original. The remake wasn’t designed from the ground up. Rather, it uses the Unity engine. So, it seems the developers decided not to emulate the originals art style completely. Like for instance, in Episode 1 where they chose to cover the ruins in vegetation, surrounded by rocks with a more colorful aesthetic from the more solitarily isolated one, found in the original.

I understand developers use premade engines to save time on development. But, given a little bit more time they could have truly filled the levels with more detail and truly fine tuned the lighting. For example: in Episode 2 the desert has a blinding yellow tint to everything. Where in the original, the desert landscape felt more organic, with earthy colors and textures that felt more natural and fit in more with Moebius’ style. The remake now having a blinding mustard colored flash of yellow everywhere!

Also, all surfaces seem to have a shiny almost plastic-like look to them. Most objects in the remake have a sort of shine to them. This was apparently part of the art direction and a decision made by the developers but, It makes the remake feel more artificial in its art direction, rather than being able to stand on its own, being what is supposed to be an evolution of the original game’s art style. As Unity is indeed capable of more surreal and unique art styles; if the upcoming game, Sable is any indication.

Although, I can say that there are in fact some changes I liked to the art style as well. One such change can be found in Episode 4. While the original was a trek though dark foreboding ruins, the remake breathes new life into this level, subtly lighting the tunnels and corridors with what could be described as a strange phosphorescent light. It’s a unique take that gives the level a different kind of atmosphere.

I also really like the detail that has been put into the dragon model. Up close you can even see the small little cracks in its armor. And its wings and body are highly detailed. Unfortunately, I can’t say the same for the character model and animations of the main character Kyle. His model can be a bit stiff during cutscenes and he has limited facial expressions. This might have been acceptable in the Saturn version but not with todays technology.

Regarding the creature designs, the enemies and bosses are just as oddly unique and interesting as they were in the original. Now, they’ve been updated with better textures and animations as they rush forward, looking to take your legendary dragon down!

And, I would be doing the series an injustice if I didn’t talk about the atmospheric music! The original ost is just as epic and moody as it was in the original. Brought up to date and even improved upon. Which brings me to a nice surprise fans of the series will most likely appreciate! An alternative soundtrack has also been put into this remake by none other than Panzer Dragoon Saga and Panzer Dragoon Orta composer Saori Kobayashi! Her music is top notch and makes this remake feel like a brand new experience for fans looking to not just play the same game over again. Many of her alternative tracks in many ways outshine some of the originals!

Aside from the art style and music, the gameplay stays true to the Saturn classic. Staying loyal to its rail-shooter roots. Flying through levels as you aim an on screen reticule, lock onto enemies and blast them away! But, Not without a twist though. A twist that made Panzer Dragoon so unique in its day and able to stand out from other rail-shooters. You can turn and shoot 360 degrees!

Beating the game on any difficulty will give you a code to unlock Pandora’s Box as well as an image gallery. Pandora’s Box is a cheat menu that lets you play in God mode, making bosses easier and giving you a level select function. It adds some minor replay value to the game but not much.

In conclusion, the Panzer Dragoon remake is a nice facelift to the aging Saturn original. When it first released, the remake wasn’t even finished and had to go through various patches and updates just to get it to an acceptable level of quality. In its current state, while not perfect, the game is a nice alternative to the original. Even having an alternate soundtrack for old fans wanting a new experience. While the art style might bother some fans and is subjectively debatable, this is a remake that was created and updated with todays technology, while leaving the original in the Ancient Age.

Final Score:

8 out of 10

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great review

fwiw, as somebody who uses UE4 + Unity professionally for many years, there is nothing in the engine that forces it to that look. The shiny plastically surfaces are a choice the developer makes, the engine doesnt force that. It is part of the “PBR” look that defaults to assuming some metallic / specular to a surface

If graphics mods exist to Panzer, it could be changed

Thanks. Good to know I’ll change that part in the review.

It’s good to hear your thoughts on the game @legaiaflame. Do you want me to put this on the Panzer Dragoon Legacy website?

Yeah, sure. I’m glad I was finally able to play this remake after waiting for so long!

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Para 2 and 5:

Moebius’ Le Monde d’Arzak, heavily inspired for certain visuals/scenery/aesthetics as a springboard/starting point, could agree, but “supposed to be an evolution of original Moebius art style as a direction” totally? Assuming this statement crystalizes the final style of the original PD world, then the original PD wouldn’t stand on it’s own either right? Comparative to something like the Shedworks project, enough differences in the visual direction of the Original PD can be seen to identify the development of own visual direction.

Para 3:
My Assumption: the Unity plug-ins were implemented/modified for animations/physics/collisions etc, but not asthetic/looks (and whatever else). As Lagi Webmaster mentioned.

Para 9:

Composer of Panzer Zwei was: Y…W…

Wow, you’re right I could have sworn she did Zwei, but she only did Saga and Orta.

4 people actually did the music for Zwei:
Yayoi Wachim, Junko Shiratsu, Teruhiko Nakagawa and Tomonori Sawada. With Sawada doing the sound effects.

You have a good argument with the Moebius art direction. I mean I know the original Panzer Dragoon wasn’t going to look exactly like one of his comics. But, was that because of the limitations of the Saturn? Most of the ruin designs/asymmetrical lines are taken directly from Moebius’ style. As Moebius himself did illustrate the main artwork on the cover of the Japanese game. Were Team Andromeda trying to emulate that as well?

Okay, I just made some minor adjustments to the review taking those points into consideration.

This is probably the best review I’ve come across when the remake first came out. And this guys point near the end of the video is soooooo true!

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Hello,

Thanks. I’d keep the review as original version was, with brackets attributing to corrections/adjustments in relevant passages.

  1. Music of Zwei:

Sources ellaborating on the roles of the Team Andromeda members in detail would help to learn as to who contributed what.

  1. Art Direction of PD1:

Gathering/collating TA PD1’s final art direction reasoning would resolve the query of whether the final look was what they intended or not initially, or emulating renders as if it were a game extension of the style of a comic by Moebius.

Which ruin designs are asymmetrical?

The review has been adjusted. I just removed her inaccurate Zwei credit and put in Saga and Orta in its place. I’s pretty clear that Team Andromeda were influenced by Moebius and he did in fact do the Japanese game cover.

This is an example of the asymmetrical ruins found in Episode 4 as well as how it parallels Moebius’ work. Basically, it’s all the angled lines that branch off from one another in unique ways.

Moebius art:

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I finally got around to writing a full review. Here it is:

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Nice review Solo! I agree about the art direction. They really need to take a closer look at the original concept art and overall aesthetics of the older games. Because, flying through a mustard desert was pretty painful, if you ask me!

Even though the animation in the cutscenes was seamless and used the in-game engine it felt kind of stiff. And I still prefer the cutscenes from the original because of this. It actually would have been to their benefit to make them cgi again because they would have had an incredible amount of detail. They could have just hired a separate party to do them, but oh well…

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great review!

I bought it but still have yet to play it!

Originally was just waiting for all the promise fixes, but lost momentum

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I think with all the fixes it’s a decent remake. I especially like alternating between the original and the remake just for the new ost alone. The new ost makes it feel like a new experience for me and despite the graphical flaws, really heightens that panzer atmosphere for me!

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